剧情简介
《难以置信的事实》讲述的是什么故事？
《难以置信的事实》Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
一、《难以置信的事实》是哪一年上映的？
《难以置信的事实》是霍尔·哈特利于1989年拍摄的一部经典喜剧片。此片开创美国当代喜剧片的先河，《难以置信的事实》上映时票房稳坐前三，创下当年纪录。当时安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特均为最佳主角，安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特以精彩演技和突出形象，奠定在美国影坛地位。
二、被称为喜剧片的开先河之作的《难以置信的事实》，是霍尔·哈特利最好的作品吗?
从霍尔·哈特利斩获喜剧片最佳导演 我就觉得这部《难以置信的事实》是他最好的喜剧片。虽然霍尔·哈特利后来还拍出来了评价特别好的喜剧片，但是《难以置信的事实》是他喜剧片的代表作品。
三、《难以置信的事实》为什么可以成为经典？
提起美国，人们就肯定会说出《难以置信的事实》的名字。这部由霍尔·哈特利导演，安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特主演的《难以置信的事实》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。
四、如何评价《难以置信的事实》?
《难以置信的事实》口碑非常好深受广大观众喜爱，《难以置信的事实》一经播放立刻引来无数人点赞，不仅安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特演的好而且该喜剧片故事情节也非常紧凑，丁香花影院观看起来特别流畅同时还能扣人心弦。
五、《难以置信的事实》喜剧片的主要内容
《难以置信的事实》是一部喜剧片喜剧片，由导演：霍尔·哈特利执导，主演：安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
《难以置信的事实》Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
